No, You Cannot be a Professor Part III: Survivor Stories

[This is a guest post from friend and former student Lee Nilsson, building from my 2011 post Open Letter to My Students: No, You Cannot be a Professor. Lee blogs at The Digital Archeologist.]

Pictured: Larry Cebula

So you've finished up your fine liberal arts education and have a fresh BA with your name on it from a respectable school.  Congrats!  You did it.  Your capstone paper, History of the Salt Trade in Western Sahara from 1870-1922, was called "riveting" by your favorite professor.  You've moved back in with your parents.  No big deal.  That is common these days, and you'll be out of there soon.  Because you have your sights on something grander.  You are going to graduate school.  You are going to be a college professor.  

And why not?  The local craigslist job openings category is a depressing list of technical work you are in no way qualified for and high-level executive stuff which requires eight years of experience and an MBA.  You don't want to work in medical administration.  You don't want to work in a toll booth.  Sure, your favorite professor gave you a pained expression and mentioned something about the "tough market" when you told him/her about your dream.  But s/he wrote the letter of recommendation anyway.  So s/he is probably not that concerned...Right?  

Your future? 

Naturally, you're first move is obvious, you Googled "how to become a history professor."  That is how you came across a depressing, cynical screed by a mean-spirited and sarcastic history professor named Larry Cebula called "Open Letter to My Students: No, You Cannot be a Professor."  You read it a few times. You read the follow up "No, You Cannot be a Professor--the Reactions."  At first you were skeptical.

But the reaction pieces are dripping with wishful thinking, and the article confirmed all the doubts in the back of your mind.  Maybe it's all hopeless.  Maybe the toll booth wouldn't be so bad.  I mean, at least you won't have Larry Cebula as a graduate advisor.  What kind of deflated, depressed, and broken students must he be graduating every year?

Hope is good!

Well dear reader, look no further.  I am one such.  And I've been tasked with giving you hope.  Not that you will become a history professor (no, that still ain't happening), but that it is possible to have an interesting and fulfilling career in the humanities.  You don't even have to have a Ph.D. either!  You can do it with a simple MA.  The key is making yourself as well-rounded as possible in this new economy.  Here are a few lessons I've learned which may be helpful to you.

Lesson 1:  Take advantage of every opportunity during grad school, and don't be afraid to take risks.

Grad school is about resume building.  A good academic department will have trips, internship opportunities and job openings you should take advantage of.  While in grad school I went on an archaeological dig to Cyprus, worked in the Washington State Archives as a researcher/writer, served as associate editor of the local history website and mobile app spokanehistorical.org, and went to Portland, Oregon to present a paper with the Phi Alpha Theta history society.  All of this is great resume fodder.  It also gives you experiences and contacts you would not otherwise have if you had spent all your time in the library staring at black and white photos of early-period Saxon pot shards. 

NDSR second cohort starts January 2015. 

Stay tuned!

In this economy it is often going to be more important to have some real work experience than it will be to have a paper published in a journal read by literally tens of academics (though being published does not hurt).  It may take some risk or sacrifice in the short term to make yourself more employable down the road.  I had to give up a graduate teaching assistantship (and quite a lot of money) to work at the state archives, but it paid off.  My work at  spokanehistorical.org and the Washington State Archives led directly to me being chosen as the first ever National Digital Stewardship Resident for the Library of Congress (an amazing program, by the way, check it out).  

You will want to accumulate a large set of skills that do not fall into the traditional "liberal arts academic" framework.  You want a huge advantage right now?  Learn to code.  The future is in the digital humanities.  People with those skills are already in high demand.  Most of all learn how to teach yourself new skills.  If you take anything away from grad school.  Let it be that. 

Lesson 2: If you want to be successful after grad school, you must be mobile and flexible.

Its a big country...

This is increasingly true in nearly all fields these days.  Being able to pack up and move to Bozeman, Montana at a few weeks' notice can be a real strength when looking for work in the humanities.  Cast a very wide net.  You may not be able to get that amazing job in New York City right out of grad school.  Look for parts of the country where your skill set-may be in more demand.  Don't limit your search to the "dream job" you've been pining for for years.  Having trouble getting a curatorial job in a city museum?  Try administration and communications.  Failing to get a federal writing job in the black hole of USAjobs.gov?  Try contractors and vendors.  Can't get that archivist position with your local state archives?  Try the private sector.  Be flexible.  You may find you'll like where you end up better than if you'd gotten your "dream job."

Lesson 3: Be creative.

"I am a hard worker with lots of experience in content management.  I've managed content on a weekly basis for one year at Content Management LLC. and for two years at Content Dynamics Industries, Inc.  I have been instrumental in increasing productivity over five percent in..."

Asleep yet?  Yeah, don't be like that.  Hopefully, you got into the humanities to be creative.  Sometimes its valuable to take a risk to stand out.  Don't go off the deep end and be unprofessional.  But the people who do the hiring at cultural institutions are looking through stacks of identical cover-letters and resumes.  All of them have the same two to five years experience in "whatever" that you do.  Hiring managers hate reading those letters just as much as you hate writing them.  Sometimes it's okay to make a high risk, high reward move.  Take for example this:

The job was for the Civil War Trust, a group of people almost certainly familiar with the mammoth Ken Burns documentary "The Civil War."  One hour of late-night video editing later I had a short and ridiculous parody of Burns' style which served as a fun addendum to my traditional cover letter.  I submitted it at midnight and by eight-o'clock the next morning I had the interview.  High risk, high reward.

Lesson 4: Be personable. 

Not you...Right?

Jokes aside, you could not ask for a better advisor than Larry Cebula.  He works like hell to get his students employed in their fields and is tireless in the networking that requires.  Indeed your graduate advisor and other professors can be an incredible support system when looking for work.  But all of that is dependent on you not being a jerk.  

Some common jerk moves:  Acting childish and raising your voice.  Getting mad about little issues and burning bridges.  Showing absolutely no interest in them as human beings and demanding all attention be on yourself.  Treating professors like they are your servants.  The list goes on.  Always remember that these people can be your colleagues and friends after school ends.  Act like it.

Another pro-tip:  Dress for the job you want.  Not the job you have.  It pays off in spades to show some appreciation for the fact that other people are forced to look at you.

Lesson 5: Have some ambition, but be smart about it.

The future is bright!

The "millennial" generation is positively drowning in cynicism.  While our parents and grandparents imagined a glorious future in outer space and flying skateboards, our generation is focused on predicting how civilization will collapse, whether it be zombies, super-volcanoes or something else.  It's important to stay positive.  Government institutions, historical societies, archives, libraries, museums, journalism, think-tanks, publishing etc. etc.  All of these and more are open to you with a simple MA or less.

My humanities story has taken me from a small suburb of Detroit to the Library of Congress and eventually the  U.S. State Department.  There are literally thousands of great opportunities for people with our weird interests.  Very few of them will involve teaching students at research universities.  But that should not stop you from doing something you'll love.   You might even like where you end up better than you would have liked being a college professor.  Because again, you aren't going to be that. 

Some Resources for the Humanities Job Seeker:

• National Council on Public History Jobs page - They post a new list of public history jobs every week.  

• USAjobs - Yes, it may be a black hole where resumes go to die, but its essentially the only way to get direct federal employment.  And it is possible to get responses.  Write a very good resume with their resumebuilder app.  If you can find any way to justify making yourself an "expert" in every question a position asks, do it.  Do not lie.  But really think hard about it.  Every Library of Congress, Smithsonian, or NARA job might get 400+ applications.  At least 50 will have veterans preference.  You have to really stand out to get passed the folks at the Office of Personnel Management.   Make use of the Saved Searches feature: "National Archives," "Library of Congress," "Historian," "Archives," "writer," etc.  Check daily.  These change fast.   Dont put off applying.  They  will sometimes end an open period early.  

• Code4lib - For those with library science and archival experience as well as some tech savvy.  

• American Library Association Job List - All of these will say "MLS required."  Ignore that.  If you have the skills, demonstrate them with your application.  I've met librarians in the federal government with backgrounds in archaeology, medieval studies, computer science etc. etc.    Can't win if you don't play.  

• Society of American Archivists - Premier archivist organization with premier list of archivist jobs.  Lesson #2 is very important here.  

• H-Net - For general discouragement.  Try looking up your area of expertise in the location you want to work in.  Cry.  But dont worry.  You are going to be fine.  Especially if you take my sage advice.  If you see that list and think, "Gee, there are so many professor jobs!"  Remember that every job posting will have hundreds of applicants, many are not tenure track, and that site is literally global.  

• AdjunctNation - For those who have taken the dark path of the adjunct.  Some people just have to teach.  If you are one of those, the best approach may be the old fashioned style.  Every community college gets a stack of adjunct applications.  Go there personally, meet the head of the department during his/her office hours.  Hand them your packet (syllabi, CV, etc.) personally.  If he/she likes you, it may get you to the top of the pile when they need someone to teach a course.  Also, professors in your department will often know professors in other schools.  Don't be afraid to ask for an introduction.  Remember, this path lacks security and basic benefits.  You spouse or partner better have a great job and be cool with you making less than a fry-cook at McDonald's.            

• Idealist.org - Idealist has many of the sorts of jobs you will get a call-back for.  Its all non-profits and most of them are east coast.  But these are the sorts of writing/editing/administrative jobs that a humanities MA can get.  Beware of low non-profit wages.

• Historical Consulting Firms such as History Associates or The History Factory do for-profit research on behalf of government and corporations.  I've known some people who have gone this route.  Many of these jobs are on a project basis and will be temporary.  

• A lot of organizations don't post to these sorts of lists.  So check the job listings pages of organizations you might want to work for.  If the Gates Foundation or Coca-Cola is hiring a historian or archivist, they may not be as familiar with these sorts of lists and just throw it up on their website.  Look for yourself.  

One last thing:  Apply.  Don't be discouraged by the fact you only have 7/10 of the requirements.  If you think you can do the job, apply.  Many people hamper their own success by undervaluing themselves.  This is especially true for women, who tend to have less bravado and stupid confidence when applying for jobs. Be stupid.  Be bold.  Apply.  You deserve it.  Now go be successful.  

Lee Nilsson earned his Masters in History at Eastern Washington University in 2013. He was a National Digital Stewardship Resident at the Library of Congress from 2013-14. In August Nilsson begins work as a Junior Analyst for the U.S. State Department.

Want to Buy a Piece of Spokane History?

Last week the Spokesman-Review ran an interesting piece about a historical mural that is for sale. The giant painting (149 inches wide by 89 inches tall) is an artistic rendition of a well-known 1884 birds-eye view map of Spokane. Apparently it was created for an unknown Spokane Bank in the 1930s and hung there until the 1950s. A neighbor of Dina Carlson found the mural in her garage and brought to Carlson, who owns Lillian Conn Antiques & Gallery.

Here for comparison is the 1884 map:

According to the Spokesman, "An inscription on the back indicates it was completed in 1938 and signed by an artist with the last name of Hart."

This week I had the opportunity to view the mural myself. It was on display at the quarterly meeting of Spokane Preservation Advocates (join now!). I did not think much of the mural when I read the newspaper article, but in person it is really quite charming. It has been rolled up for fifty years and is in excellent condition. The colors are bright, the paint is not flaking or damaged at all. Hart the painter was no Michelangelo, to be sure, but it does not feel amateurish either--it is really a wonderful portrayal of Spokane in its first decade: I took quite a few pictures:

The full mural. It is a tiny bit ragged on some of the edges where it was cut down.

Some of Spokane's first businesses harnessed the power of the river.

Original Post Street Bridge?

Havermale Island.

Street Scene.

Northern Pacific train coming into town.

Spokane College.

First Northern Pacific Depot.

The artist added several groups of Indians not present in the original map.

Another street scene.

I love the simplicity of this detail.

Indians fishing at the falls.

I have no idea how much money they are asking for this mural. I don't think it is worth tens of thousands--it is not after all, from 1884, or from a famous artist, and the potential customer base for this item is very limited. The Spokesman article mentions that the Northwest Museum of Arts & Culture declined an opportunity to buy the piece.

It should always be remembered when dealing with those very popular birds-eye maps of the 19th century that most were produced by real estate speculators and town boosters. They very often depict towns not as they were but as they wished to be seen, in an effort to stimulate investments from back east. The 1891 birds eye of Spokane, for example, shows neighborhoods platted out half way to Canada! As seductive as these old maps are, we should analyze them as we do period advertising, with a shaker of salt at hand.

The most striking thing about the map, however, was how much people loved it. All evening there were different groups of people gathered around, pointing out different features to one another and exchanging conversation. The rich details of the map draw in any Spokane history buff to stop and look for a long while. I hope it finds a public home.